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My One & Only Ethnography The title of my one and only ethnography is: “Passionate Performance or Contrived Commodity?: Ethnicity and Nationalism through the Lens of Andalucian Flamenco.” Flamenco, Spain, and I bang into each other a bunch of times in my life, it seems. There are, after all, lots of apparent as well as invisible convergences in life, right? Or is it better to call them coincidences? Take, for example, the interrelated yet uncanny facts that 1) I studied abroad while in college at the University of Sevilla in Spain, and, 2) that during the summer of 2005, I went back to conduct my first (and probably only) ethnography. Then, 3) when I prepped for my interviews at National Geographic, I picked up a copy of Traveler magazine from Books A Million, a bookstore flanking Dupont Circle, and in it found a short piece about Sevilla and what there is that’s “authentic” to see and experience there. And the circle continues ‘round and ‘round, don’t it? For those non-anthro dor
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When I first heard of GW's Cotlow grant program, I thought, I have to apply. I guess even then I had the idea of possibly aspiring to get my PhD and thought this was a natural step: Get a small-scale grant, do something of my own creation; a solid first step. I felt the pressure as I was supported by the university's Anthropology department on a fellowship. This meant that my tuition was paid for and I was given a monthly stipend. I worked, of course, for the department as a teaching assistant and I loved it. For four semesters, I was a graduate teaching assistant for a large undergraduate course, Introduction to Sociocultural Anthropology. As I was funded by the department (which meant that they believed in my abilities as there were only three other TAs similarly supported by the department), I felt I needed to nail the Cotlow. But, the question nagged at me, what to study? Throughout my academic training, sometimes I’ve been at a loss in terms of what to research and wri
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